While some discoveries allow an individual to further confirm their views about their world and themselves, others may lead to moral questions or a reevaluation evoked by the new perspective. These findings, in particular, gain value through their ability to facilitate change within their societies, as they highlight aspects of these cultures that may require adjustment. In his poems Meatworks and Flames and Dangling Wire (FaDW), Robert Gray criticizes the Western and consumerist tendencies of his world. He highlights how these attributes can influence the future, brazenly criticizing their lack of moral integrity. Despite this, Gray seems to continue to accept these flaws, as he recognizes their inevitability and shares how he too is part of an ethically distant mechanism. Through his process of exploration and discovery, Gray encourages those who read his poems to remain insightful and create their own. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Through discoveries, values ​​and ideals can be questioned as their value is reevaluated. Although this process of reevaluation allows an individual to gain control over their perception of society, their ability to act on these beliefs may be clouded by necessity or meaninglessness. Gray explored how his worldview was altered as a result of his environmental repositioning in his poem FaDW, highlighting the materialistic and disposable nature of Western culture. While this poem insists that a hellish landscape “is as it will be after men are gone,” Gray seems to remain convinced that the fossils of his society will remain present, serving as a warning of the necessary and inevitable downfall of industrialization. Within the poem, Gray portrays his city, representative of development and industrialism, as "posts driven into the earth", later stating that the place was comparable to "hell". By alluding to the biblical concept of Judgment Day, a burning doom for humanity, Gray forces the reader to understand how their own actions contribute to this outcome. By characterizing the landfill with “machines like skulls” and “tin cans,” Gray personalizes the scene and reiterates the relationship between production and industrial apocalypse. Despite this seemingly pessimistic approach to his world, Gray's views can be seen as reflecting a more accepting and coexisting ideal. The idea that pain and death are a necessary part of life is demonstrated through the Buddhist ideals evident throughout his poems. Although he appears skeptical of his society's morals, he does not describe the end of these values ​​as an inherently bad thing, but simply appreciates the fact that they will end. In this way, Gray's discoveries have affected him on a spiritual level, as he uses his alternative ideal to pass judgment on the demise of his society. Through acceptance of the imperfect nature of the world, an individual's views of themselves and their world can be significantly changed. Through his discoveries about the inhumane acts behind the meat industry, Gray has managed to reevaluate his perspective and remain critical of these corporations. Gray explored his renewed understanding of the people around him by stating that most "worked around the slaughter", ambiguously suggesting that his fellow.