Song Report "Hey Jude" is a song by the band The Beatles and was written by Paul McCartney and John Lennon. It was first released in August 1968 under the label by The Beatles "Apple Records" Hey, Jude lasts 8 minutes and 10 seconds. The Beatles instead choose an unusual binary form here that uses a fully developed song together with an extended jam over a simple chord progression. It becomes clear from a glance and a detailed study of "Hey Jude" on how the two parts of the song go together and what simple musical materials they are constructed from. Say no to plagiarism Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned". '? Get an original essay "Hey, Jude" is played in the key of F major and in a 4/4 time signature. The genre of the song is pop, rock played in ballad style is just your usual pop structure but instead it is quite different in nature for its genre, as it seems to develop a lot throughout the song, starting slowly and ending with a massive ending. The song relies more on subtlety of texture than form as throughout the song texture is also added and builds up until the conclusion of the song. The first verse, like all the verses, follows a simple chord progression using the I, V, V7, V7sus4 and IV chords in the key of F major which creates a truly memorable verse that sets the tone for the song and alludes to the pop genre and rock. The voice doesn't actually linger too long on too many unstable notes during the verses, but only switches over the unstable notes and then quickly returns to the original key. The first verse is very subtle in its texture, using only a piano with a single vocal melody line that sets the tone for the song played in a ballad style where the song starts out very subtle with its texture and then really opens up as the song proceeds. This single vocal line follows a very macro style structure in that it doesn't really change or differ throughout the song until the outro. In verse two we hear the addition of a tambourine being played and also an acoustic rhythm guitar which starts to suggest the more pop side of the song and starts to increase the texture and depth of the song. There is also an added chorus in the second half of the verse in the form of simple "ahhhh"s (TheBeatlesVEVO, 2015) which again hints at that more rock genre. It is the same as the first verse, the harmony is purely diatonic in F major and the melody rises and falls in equal measure leaving the listener at ease. This is cut off at the end of this verse as a line has been added. Harmonically to do this, the final verse chord is transformed into a V/IV allowing the chord structure to transition smoothly from the verse to the bridge. As a result of the verse having a bar added at the end, the first phase of both bridges has five bars thus almost copying the melody from the verse to the bridge making the song stable again. Harmonically the beginning and end of both bridges are tonally quite unstable. The bridge sees the introduction of a walking bass line and drums with more focus on the touch of the cymbals, again creating a more rock atmosphere that engages the listener. Melodically the lead vocal tends to dip for much of the bridge, barely rising until the swelling major melody that leads into the next verse. Verse three has the addition of backing vocals in the thirds. There is also the introduction of a distant choir. The distant vocal “so let it out and let it in” (TheBeatlesVEVO, 2015) leads to the lyrical ideas found in the following bridge. The tambourine in this verse is more frequent and noticeable and is now played as semiquavers, which creates the feeling that the song becomes.