Susan Glasper, one of the major playwrights of the 20th century, whose masterpiece "trivia" has always been considered a classic feminist drama. Although the performance of this one-act play lasted only half an hour, it depicted a thought-provoking murder case and explored the spiritual world of female characters with a seemingly bland narrative. The article aims to analyze and interpret "banal issues" by applying Foucault's discursive power, revealing how women lose the right to speak in a patriarchal society, and then how to pay attention to men's disappointment through the two women in the work . The banality and silent voice of the heroine subvert the authority of men and regain the right to speech and their autonomy. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The Trivia, created in the early 20th century, is a rare one-player drama that has been widely influenced in American drama history. "Trivia" reflects the values ​​of the patriarchal culture of the society of the time. The script depicts the investigative process of a cowardly case. The background of the story was set in a remote house on a farm. The heroine, Mrs. White, was accused of killing her husband while he slept. Prison guards and lawyers intervened on site to find evidence. Mrs. Peterson, the police wife, accompanied her neighbor, Mrs. Hale. After the investigation, the prison guards and lawyers found nothing, but the women guessed Mrs. White's psychology from the details and also began to examine their own lives. They decided to hide the evidence and shelter Mrs. White. Glasper records the differences between men and women in a magnifying perspective and the survival status of women in the male-dominated society. The segregation of men and women in the stage space metaphorizes the differences between the two sexes in terms of social and political life, language and way of thinking. It is through the use of this hierarchical method that the writer demonstrates her thoughts on the relationship between women and women and women's rights. As a representative of post-structuralism, Foucault has a profound influence on various disciplines and his theory provides a new perspective. theoretical foundations and foundations for the literary analysis of feminism. Foucault's discussion of discourse and the subject makes feminism aware of the existence of internal complexity, external complexity and the importance of competing for discourse. This thesis aims to analyze and interpret "curiosities" by applying Foucault's theories, revealing how women lose the right to speak in patriarchal society, become "aphasia" and finally fall into the tragic fate of the people. Then, through a discourse aimed at exposing the limits of male information exchange and the benefits of female emotional exchange, the two women in the play subvert male authority by paying attention to the "trivial things" that men don't care about and the silent voice of the heroine. And regain the right to speak and their autonomy. "Discourse" is an unusually ambiguous concept in Foucault's philosophy. Foucault himself never gave a clear definition of this. From an extensive point of view, the concept of "discourse" has broad and narrow meanings. In a broad sense, “all forms and categories of cultural life” are “discourses.” Restricted "speech" is close to the "form of language". Foucault believes that discourse is the result of the intertwining of "will to knowledge" and "will to power". Foucault believes that "discourse" apparentlyrespected also hides on the surface the fear of a profound dialogue. Control, imprisonment and obstruction of dialogue are the embodiment of this speech phobia. The attitude of this civilized society towards speech, the violent, dangerous, chaotic and militant fear of dialogue, constitutes the starting point of Foucault's research discourse, that is, power determines the right to speak. Foucault's discourse on discourse has caused much controversy in society, but it also provides feminism with a way to reconstruct female subjects, allowing women to become the product of a new discourse and knowledge structure. The power of male speech, as the name suggests, means that the power of speech is controlled and dominated by men. The hegemony of male discourse is reflected in the overwhelming control and oppression of men over women. At the beginning of the 20th century, men enjoyed absolute control over society. Their contempt and repression of women were indisputable social phenomena. This phenomenon also promoted the development of tragedies in Trivia. In the short play, Glasper uses both language and behavior to demonstrate the status inequality between men and women, revealing the superiority of men over women. Men who have mastered the right to speak not only build their own grammatical rules and language systems, but also instill and strengthen the cultural values ​​behind them, so that women are materialized and tortured in the process of pursuing themselves. The struggle to lose the right to speak and express oneself is very painful but there is nowhere to vent. Women's resistance and subversion to patriarchal society often ends in tragedies such as madness and death, and ultimately become funerary objects of society. This not only causes tragedy for women, but causes other women in society to have fearful thinking, which in turn strengthens men's hegemonic position in society. The ridicule and neglect of the speech of male characters in the "curiosities" and the end of the tragedy of Mrs. White fully reflect society's discrimination and contempt for women, as well as the suppression and contempt of female speech. At the beginning of the 20th century, female identity was confirmed by the males to whom they belonged. The title of all women in the short play was defined by the male surname. Through Mrs. Hale's later memories, we can discover Mrs. White-Minnie White's changes before and after the marriage. Before her marriage, Minnie was a lively and open-minded woman. After marriage, to satisfy social and cultural ethics and male superiority to obey the male social concept, she was forced to close herself until she completely lost herself. This practice of erasing women's personal thoughts and eliminating differences reflects the widespread neglect and prejudice against women in patriarchal society. Women's loss of self-awareness is focused on emphasizing women's loss of “self.” The first appearance of the man in the incipit of the screenplay goes against the principle of “women's priority” supported at the time. The first act of this phase clarifies the true dominant position between men and women. The indifference of men seems to have insinuated the existence of a male presence over women. The role of the three men at the crime scene was that of the accident investigator, responsible for uncovering the motive for the crime. They were undoubtedly responsible for the main role at the crime scene. When a woman appears, she is a vulnerable group and a neglected object. Their words arebeen neglected. In the eyes of men, women are ignorant and weak. They are just the husbands' "followers", left in the kitchen during the investigation of the "investigators" and free to speak after their departure. Not only did they lose the right to speak freely, but they were also accused and scorned. As a suspect, Minnie, after getting married, to renounce her husband and social customs, renounced everything to which she originally belonged and renounced her self. Minnie seems to have married a powerful and socially sexual man, but the price paid is the "rights" to herself, up to and including the loss of the right to speak. She lost the opportunity to communicate and communicate with the outside world, from a lively, energetic and hopeful girl to a housewife who has lost depression and lost her status. Therefore, whether it is Mrs. White, Mrs. Hale, or Mrs. Peterson, the role played in the play is not that of self or a depressed person. himself. Many wives in patriarchal society chose to remain silent, to give up their sense of self and independent personality, and ultimately became a male accessory. Third, the “de” of female discursive power after the dissolution of hegemony. Male discursive power is an important manifestation of patriarchy and a force of oppression of women. And if women want to be completely independent, they must break this power. "Trivia" seeks to subvert the ideology of positive centralism, thus freeing its slavery towards women. First, Glasper used the strategy of irony to subvert the myth of the absolute male subject. Judging by the type of short comedy, "Trivia" is a one-act play. From start to finish there is only one scene. The ups and downs of the plot happen in the kitchen. The important physical evidence of the case is also found in the kitchen. . Secondly, the characters on the scene are mainly women. Male characters are only the “impetus” for the development of the plot on the scene, which makes males marginalized and secondary. Furthermore, the most important point is that it is a female “investigator” rather than a professional man who reveals and reveals the final secret. Male negligence towards the female world leads to blindness towards some truths. Women's hiding of evidence is a punishment for them and also reflects their desire for control over self-destination and contempt for patriarchal social law. The return of female identity is mainly reflected in: first, the recognition of personal identity, female characters began to appear as autonomous individual subjects. For example, Mrs. Peterson wakes up. At first Mrs. Peterson was only to a certain extent a subsidiary of her husband. His words and actions were more representative of Peterson's position and point of view. Mrs. Hale step by step guides Mrs. Peterson to discover herself and discover the truth of the facts. Mrs. Peterson's personal identity is gradually awakening. Although, from beginning to end, both simply called each other each other's wives and did not reveal their real names. But when the lawyer and the sheriff provoked them again, the two reacted. Furthermore, when two people work together to keep secrets, they also reflect recognition and affirmation of their own identity. The return of Minnie's personal identity is one of them. With the death of Mr. White, Minnie no longer plays the role of Mrs. White, but returns to herself. The other is a retelling of the role of Minnie through Mrs. Hale and Mrs. Peterson. As the investigation deepened, Minnie's identity was progressively highlighted and.