Portrait of a Woman with Red Hair was a half-length portrait showing the upper body from life, this exceptional work was created by Florine Stettheimer. The painting was created in the 1900s. The medium is oil on canvas. Artwork measures 36 inches tall and 24 inches wide. The portrait of a woman with red hair was located on the second floor of the Art Gallery of Ontario. It was included in the collection of artwork created by Florine Stettheimer. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Portrait of a Woman with Red Hair is a half-length portrait of a person that focuses on the person's facial expression. The background of the painting is a black negative space around the figure. The female in the portrait has characteristic red fur. From afar, the figure's short, slightly wavy hair and dark, neural-gendered dress made it difficult to interpret whether it was male or female, however, from the title of the work, we could say that it is a portrait of a woman, perhaps a modern woman, or a woman going through an identity crisis. The small details create a bigger picture, overall the female figure in the painting appears to be androgynous. Florine Stettheimer's work conveys a gender-blurring aspect. The figure has an oval face with a defined, slightly pointed, dimpled chin and a jaw line that has a slight roundness. The figure's forehead and jaw line are approximately the same width. The figure's light brown eyes are open, small and evenly spaced, sitting beneath thin, round brown eyebrows. The figure's nose is rounded, his ears are also not visible, they are under his characteristic red hair. The figure's lips are closed, however, there is a slight lift to the corners of the lips and its color is naturally peach. Her hair - a predominantly red combination, with some streaks of yellow and green - is loose, with a short, wavy haircut, however, it was parted on the woman's right side and therefore covered her forehead. He wears a navy blue V-neck, long-sleeved shirt that has a subtle dark gray outline. From a distance, the V-neck shirt blends into the monochromatic black background, it is worn over a high-collared white shirt that was worn over his sloping shoulders. In the portrait, the figure is positioned asymmetrically in the center of the canvas. The light source of the image is in the upper right part of the figure, so there is a contrast of light and shadow. The right side of the figure faces the light, while the left side of the figure is covered in shadow. The warm peach tones of the face and hands contrast with the black background. Additionally, her gentle, soft, smooth face radiates from a messy, heavily painted black background (the background is not completely black; some small, pixel-sized white spaces are visible). Please note: this is just an example. Get a custom paper now from our expert writers. Get a Custom Essay The portrait has a three-dimensional appearance on its surface. This effect may have been caused by the impasto technique: applying a large amount of paint to create a textured surface. The figure's body faces forward, however the figure's face is turned to the left approximately 30° from the front. The degree of involvement of the work of art with the viewer is low, this is because the figure does not look at the audience. The figure looks to his left, creating an asymmetrical distribution of space and a feeling of.