From the point of view of analysis, archetypes can be related to the novel "Hunger Games" in many ways. In the novel, Katniss teams up with Rue, a young girl from District 11. When Rue faced death, Katniss came to help. The “hero” of The Hunger Games would be Katniss and Peeta. When the name of Primrose, "Katniss's sister", was pulled from the reaping bowl, Katniss volunteered in her place, Peeta joined a group of career tributes to try to steer them away from Katniss' path. The mockingjay brooch is an archetype and symbolizes life. When Prim gave Katniss the brooch back, she told her that the brooch would protect her during the games, Katniss had first told Prim this when she gave it to her before the reaping. The pin also symbolizes unity. Mockingjays could be summoned by a call when more people would arrive on the scene. Prim and Katniss had their own unity between them. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay An archetypal situation evident in the novel is the love trilogy between Katniss Everdeen, Peeta Mellark, and Gale Hawthorne. Katniss is torn between her childhood friend and true love (Gale Hawkthorne) and her fellow District Tribune who she doesn't truly love but must pretend to love to avoid being executed for false pretenses in allowing 2 victors to be crowned in the Hunger Games. and push his family back into poverty with no one to care for them. Katniss truly loves Gale but cannot say anything or act on it due to the fear of facing death at the hands of the capital. Therefore, Katniss is torn and thus creates a love triangle or love trilogy. Like the classical tragic hero, Hamlet does not survive to see the full result of his actions, and more importantly, this is because he possesses a tragic flaw. In the play “Hamlet” Hamlet's own words and philosophical inner jokes are his demise as being a very verbose and introspective man, this is both one of his greatest gifts and his tragic flaw. What makes Hamlet a tragic hero is that his actions and tragic flaws are not his fault. Being part of the royal family makes him prone to negative and stressful situations and so his engagement with words to a level where he is almost paralyzed is absolutely tragic, even if it's not because of anything he's done openly. For Hamlet, the power of language and words is key to both the driving action of the play and its outcome as all the characters have been affected in some way by poisoned words. The reader of this Shakespeare play is offered a certain degree of foreshadowing when the ghost of Hamlet's father states, in one of Hamlet's important quotes, that Claudius has poisoned "the whole ear of Denmark" with his words. Even if the reader is not yet aware of it, the words will guide the action of the work. For example, it is not necessarily Hamlet's actions towards Ophelia that are part of what drives her to suicide, but his words. He, like other men in the play, scolds her as a child, telling her that she should enter a convent instead of becoming a “breeder of sinners” (III.i.122-123). While he may have simply ignored her or avoided her in a more physical way, he instead uses the power of words to act as daggers. Hamlet proves himself to be a tragic hero by causing his tragic fall and death. Regarding Maslow's Pyramid of Needs, the very human nature of the creature despite its creation shows that every living creature with a process of.