In this film, Burton sufficiently juxtaposes the opening scene with the colorful, suburban homes with the bland monotony of the dark castle. The colors Burton uses serve to show the juxtaposition between the two different worlds. Since very bright pastel colors are used in the suburban town compared to the dark and melancholy colors used to represent Edward's home and world. Burton conveys to the audience the conformism that radiates throughout the film, as is evident when Peg Boggs brings Edward back with her and begins to change him by giving him new clothes to wear. Peg Boggs tries to cover Edward's scars, while "melting the secret", Burton creates a distinctive visual image for the operators as they are positioned to feel optimistic about Edward's potential conformity with a perception of melting in society that can change the life of the individual. easier and happier. One of the important symbols illustrated by Burton is Edward's scissor hands. This shows the audience the distinctive visual flaw of a kind man, as Burton connotes the difference and change in his persona. Edward finally has someone who cares for him and he is no longer alone. Although he is despised by the neighborhood's peculiar individuals, he didn't need to change himself to become someone